Friday, 25 August 2017

COMING HOME ON A TRAIN




Ma,
Your son comes home
And he comes on a train!

Those years of living
Living near the train station
The train's horn was our clock;
It told us what time it was
I remember hawking plantains on the streets
And returning home at nights
And when I no more could find the way
The way to my gloomy home,
I follow the train tracks
I could always trust them to lead me home
Home was where mama lay fatigued in bed
Home was where there never was enough to eat
Home was that place the sun of happiness never appeared.
I remember how you always wanted to
Take me out on a journey
A journey on a train
A journey we never could afford
Even though we wondered where the train
Tracks began and where they ended.

Today, your son returns home
And he returns home on a train
But you are no longer alive to welcome him.


MEET THE POET:

Ubaji Isiaka Abubakar Eazy holds a BA in English Language and Literary Studies. He is a fine poet whose poems and short stories have been published in both national and international journals and numerous literary blogs. He is the CHIEF EDITOR of "Literary Critics And Writers". You can reach him on +2347063369010 (Abubakar Ishaq Eazy on Facebook).

Tuesday, 15 August 2017

Enemali Took me Back to those Days!: A Review of Theophilus Enemali's Homesick in Paradise by Ubaji Isiaka Abubakar Eazy

Enemali Took me Back to those Days!: A Review of Theophilus Enemali's Homesick in Paradise

Ubaji Isiaka Abubakar Eazy

I am one those still fascinated by simple stories for young adults. Indeed, my romance with literature began with such stories. From Onuora Nzekwu and Micheal Crowder's Eze Goes to School, Christy Ade-Ajayi's Ade our Naughty Little Brother, Kola Onadipe's Sugar Girl, Eddie Iroh's Without a Silver Spoon, Chinua Achebe's Chike and the River, Olajire Olanlokun's Kunle, the Superstar, Ted Ozondu's A Chained Tomb to Cyprian Ekwensi's The Drummer Boy, I was virtually nurtured on these novellas and today, I add a new book, albeit a full length novel, to my archive on young adult literature. That new book is Theophilus Enemali's Homesick in Paradise!

Maybe I love these books because they recall certain experiences in my own life as a young boy and now that I am older, they ignite a nostalgic feeling for the past. They remind me of that time when men where boys or what school life was like for me. Those that said school life is the best could not have been lying, you know?

The novel; Homesick in Paradise; chronicles the experiences of eleven years old Enemona as a student at St. Charles Lwanga Minor Seminary. Enemona had just lost his mother to illness few months after he started school, although the family decided against divulging the tragic occurrence to Enemona till much later when he returned home from school during the holiday. He would spend most of his days at school and holidays missing his mother, writing a letter to heaven, and hoping that even in paradise, his mother would be missing her earthly family.

Albeit the novel is episodic, the various encounters and experiences related in it are fascinating and often humorous. The writer takes us to the world of school boys, show us their pranks and willy ways, and their fascination with the school catholic environment, very much different from the world outside it. In the story, you will meet the roguish Clinton who you cannot help loving or feeling pity for when he was expelled from the school, or Odoma, the bed wetting tyrant, you will also meet the uncouth Johnny alias Symbiotism and ask him what symbiotism means and he would proudly tell you that it means "symbol of greatness" hahaha! The point is that when you read this story, you will always find that one character that either reminds you of yourself as a young student or some other roguish or funny student you knew or know in your class.

And there are moral lessons to be learnt too. Clinton ended up badly, Enemona studied hard and became one of the best behaved students who passed out with flying colors hence there is an emphasis on good conduct and children doing the right things.

Perhaps, an aspect of the story which I find uncomfortable are those instances of students being punished for speaking their mother tongue or being advised to disengage themselves from the cultural existence of their people. It is one of the worst colonial legacy targeted at fossilizing the African culture and language and I despise it. Also, I think the writer needs to master the act of translating from the local language to English without making it seem obvious or provide a glossary for the non-English words used.

In as much as the story looks good as it is, I think little illustrations and the idea of providing for each chapter a title or subheading might work well for the novel, considering its episodic nature. I believe this will help younger readers locate particular aspects of the novel they find intriguing.

The novel has minimal grammatical inconsistencies compared to many others that I have read and for a debut novel, it is not just a commendable effort, but an impressive one. We hope to find greater works linked to the writer the next time we visit the book store. This is one novel every young literature student should read.

© Ubaji Isiaka Abubakar Eazy 2017

Meet the Reviewer

Ubaji Isiaka Abubakar Eazy is a literary critic, poet, short story writer, copy editor and literary reviewer.

Sunday, 13 August 2017

The Struggle Against Mutability: A Review of Abdul O. Umar and Sam Iyanda's The Kings Darling

The Struggle Against Mutability: A Review of Abdul O. Umar and Sam Iyanda's The Kings Darling

They say there is one thing that is constant in life and it is change. Well, they said it right. The King's Darling is a play which captures a controversy between the king and his cabinet on one side, and the youths on the other side over the issue of expelling western drug sellers (who are non-natives) in the village from the society. The king's cabinet is of the opinion that the drug peddlers disallow local drug sellers from making profits and they destabilize the people's culture and tradition especially as one of them sold drugs for abortion to one of the young ladies in the village.

The youth, however, have a differing opinion and think these drug peddlers should stay since the local drugs peddlers are not as efficient as the modern ones. Their attempts to make the elders see sense in their argument fell on deaf ears and they choose to register their protest by unanimously deciding not to participate in a festival that demands the participation of the youths by vacating the village.

They returned days after the festival with the king son terribly ill with fever. The local medicine will just not do to heal him, he needs the attention of the non-native physician and their drugs. If the king disallows him from receiving the needed treatment because he has made a law proscribing his people from patronizing these drug peddlers and his son dies, would it not imply that the king cannot make decisions that would protect his people from harm? Would the king reverse his own law, allow a change in culture and let the non-native drug physicians treat his son? The answer is what you must find out by reading the book.

The king and his cabinet remind me of Achebe's tragic character in Things Fall Apart and Arrow of God (Okonkwo and Ezeulu), the only difference being perhaps that the Kings had the good sense to avert disaster by quickly rescinding his decision to proscribe the non-native western drug peddlers. 

The play is replete with proverbs to capture the speech of the elders. It has less grammatical inconsistencies compared to STRAY BULLET. One thing to note also is that the role of women were underplayed in the play. They played the role of mere gossipers providing comments or updates on the happenings in the village, it would be great to know what actions they took while the youths (according to the play, youths refer to young men only) vacated the village.

All the same, Abdul O. Umar and Sam Iyanda have kept the dying play writing tradition alive despite challenges of poor readership and inattention to playwriting and stage acting. Their effort is commendable and we await more from their stables.

© Ubaji Isiaka Abubakar Eazy 2017

Meet the Reviewer

Ubaji Isiaka Abubakar Eazy is a literary critic, writer, poet, essayist, copy editor, and book reviewer.